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Yes, it supports live dealer games, real-time updates, and a plethora of languages and currencies for a personalized user experience.…

Betrayal Movie 1988

In too deep, Katie pleads with her boss and mentor to release her from the assignment. But he refuses, turning the screws on her mixed loyalties. Ultimately she must betray the man she loves or the country she’s sworn to protect.

Costa-Gavras, who also helmed Z and State of Siege, offers one searing visual image after another. But his overall handling of this explosive subject is clumsy and heavy handed.

The Story

After a Chicago talk-show host is killed by members of a white supremacist group, FBI agent Catherine Weaver (Debra Winger) goes undercover to infiltrate the rural farming community thought to be harboring them. In the hands of lesser actors, such a scenario would be laughable, but Winger and Tom Berenger, playing the farmers Gary Simmons and Robert Levine, bring the drama to life without ever resorting to easy sensationalism.

Using real names to avoid inflaming controversy, director Costa-Gavras and screenwriter Joe Eszterhas create an indictment of a criminal counterculture corroding America’s heartland. A thriller, romance and social commentary, Betrayed captures the resentment of a rogue underclass, which can even turn people into homicidal maniacs. Yet, in trying to be a big Hollywood entertainment, Betrayed loses its political punch. For example, one of the most shocking scenes – a bloody manhunt led by Weaver’s boyfriend Gary – is rendered almost comic by the fact that the couple fall madly in love during the pursuit.

The Plot

When a Jewish talk radio shock jock is gunned down in the driveway of his Denver home, the FBI sends undercover agent Cathy Weaver to infiltrate the clandestine group of white supremacists who killed him. Posing as the wholesome Iowa farmer Katie Phillips, Weaver gets close to Gary Simmons (Tom Berenger) and his family before she is rebuffed by her boss.

Director Costa-Gavras, who had previously tackled similar themes in Z, Stage of Siege and Missing, uses the film to explore the subculture of racist paramilitaries corroding American society. Its most memorable moment is the horrifying nighttime hunt sequence, in which a kidnapped black man is chased through the woods by dogs and men with submachine guns. Yet the movie is less convincing when Weaver becomes romantically involved with Gary. It’s hard to believe that such a wholesome family man would be a supporter of mass violence against Americans who threaten his core moral and racial principles.

The Characters

Director Costa-Gavras has a step-below A-level cast on his hands here but the two leads (Debra Winger and Tom Berenger) deliver remarkably fine performances. This is the kind of film that dares to expose violent racism for what it really is, and it’s a scathing indictment of the cult of hate that motivates these people. The scene where the talk show host is killed – with an ambush that’s reminiscent of the notorious racist manhunts of the Civil Rights era – is a real showstopper.

The plot centers on a female FBI plant whose hunch about the murder of a left-leaning talk radio host leads her to infiltrate a farming community where one of the suspects lives. She gets close to the leader, and her relationship with him becomes a moral minefield. Cathy/Katie buys into his inexplicable naivety and encourages his hatred-fawning call-in guests; she also participates in an ill-fated bank heist. The film’s cynicism and unlikely plot tricks, however, undermine what should have been a taut issue-driven cat-and-mouse thriller.

The Director

Director Costa-Gavras is able to pull out some searing visual images (like the spectral white horse that careens after Charles Denner in “Z”) and an intensely unsettling nighttime hunt sequence in this thriller. But he can’t seem to free himself from the suffocating caul of Eszterhas’s script.

The film begins on a chilling note, using real headlines, including the 1984 murder of radio host Alan Berg by a group of white supremacists, to make its point. But it soon falls back into facile cynicism and unlikely plot tricks.

Winger and Berenger, who have both been Oscar nominated for their work, do their best to bring shadings to their characters’ simplistically written arcs. But their performances are ultimately not enough to offset a plot that lurches inexplicably between incompetent suspense and nonsensical zero-chemistry romance. The muddled endings don’t help either. Despite the film’s flaws, it is still a disturbing drama. [1]

Retreat to the main page…

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Burning Betrayal Movies on Netflix

Like it or not, erotic thrillers are having a moment right now. From Fifty Shades of Grey to the recent Nia Long and Omar Epps entanglement in Fatal Affair, sexy dramas are popping up everywhere.

One such steamy flick is Burning Betrayal, a Brazilian romantic thriller that’s arriving on Netflix this October. Adapted from the novel O Lado Bom De Ser Traida by Sue Hecker, this movie is a must-see for lovers of erotic tales.

1. Burning Betrayal

Burning Betrayal is a Brazilian drama that features sex, danger, and a dazzling love affair. It stars Giovanna Lancellotti, Bruno Montaleone, and Leandro Lima.

The film largely succeeds in its sensuality and character chemistry. It also has a plot that is intriguing and unpredictable. However, the film falls short when it comes to a logical conclusion.

This steamy flick follows the sex-meets-danger formula proven successful by Netflix’s 365 Days trilogy.

2. The Twilight Saga: Breaking Dawn – Part 1

This movie is by far the most disturbing in the Twilight series. It shows the physical horror of Bella’s pregnancy. She drinks blood milkshakes, becomes horribly emaciated and eventually gives birth.

Director Bill Condon makes the best of Stewart and Pattinson’s limited range as actors. But the film suffers from a thin plot and the over-the-top fetus vs. baby debate. It also features a lot of nudity.

3. The Twilight Saga: Breaking Dawn – Part 2

The saga ends with this disappointingly soppy and poorly executed final installment. Its devoted fans will no doubt be satisfied but everyone else will be left wondering why they bothered.

Bill Condon manages to elevate the series with his impressive visual sheen but he can’t overcome the script’s clunky dialogue and its needlessly campy elements. A disappointingly uneven conclusion to a worldwide phenomenon.

4. The Twilight Saga: New Moon

It’s the sequel that devoted Twilight fans, Robert Pattinson-aholics and teenage girls have been waiting for. But despite better cinematography and a sexier story, New Moon ultimately falls flat.

When an accountant named Babi (Giovanna Lancellotti) discovers her fiance has been cheating on her, she decides to start over and joins a bike club and starts dating hot judge Marco. Soon, however, he becomes more than she bargained for.

5. The Twilight Saga: Eclipse

Director David Slade brings a touch of tautness to the series and there’s enough action here to keep fans happy. But even though it’s better than the abysmal two films, Eclipse can’t overcome its gaping black hole at its emotional centre.

Bella is still utterly devoid of personality and her obsession with vampires/werewolves is hard to buy into. The film also indulges in pointless flashbacks and endless scenes of Bella going to graduation or partying with her human friends.

6. The Twilight Saga: New Moon – Part 3

After a devastating turn of events, Bella must face new dangers — including a pack of vicious wolves and the prospect of losing Edward — in this sequel to Stephenie Meyer’s Twilight saga. This deluxe collector’s edition features a ribbon bookmark, cloth cover and new chapter opener designs.

After a Brazilian erotic movie called 365 Days blew up on Netflix and caused women to ask its creator for cheating advice, the streaming service is back with another raunchy film. Burning Betrayal stars Giovanna Lancellotti and Leandro Limo.

7. The Twilight Saga: New Moon – Part 4

The legions of fans swooning over the Twilight phenomenon may make you cringe, but that doesn’t mean that this movie isn’t enjoyable.

The chemistry between the main characters is undeniable, and it’s great to see Bella grow into her role as a protector of those around her. It’s just too bad that the film doesn’t really take advantage of this potential.

8. The Twilight Saga: New Moon – Part 5

The film features a steamy scene where Bella and Jacob get intimate. It’s a bit much for teenagers to handle, but it’s also steamy and erotic.

New Moon has a few flaws but is a good sequel to Twilight. It’s not perfect, but it’s better than Eclipse. It also has significantly more Edward than the first movie, which is always a plus.

9. The Twilight Saga: New Moon – Part 6

The Twilight Saga: New Moon is a 2009 film that continues the story of Bella Swan and her relationship with vampire Edward Cullen. It was directed by Catherine Hardwicke and written by Melissa Rosenberg.

The movie stars Giovanna Lancellotti in the lead role. She was previously seen in the Netflix original series Summer Heat. The film also features Leandro Lima, who starred in the films City of God and Pantanal.

10. The Twilight Saga: New Moon – Part 7

The second installment of the Twilight saga features more of what made the series an international phenomenon. New Moon is a spellbinding sequel that features more of the romance, suspense and action that has become synonymous with the franchise.

Giovanna Lancellotti and Leandro Lima, best known for their roles in Oscar nominated Brazilian crime drama City of God and Pantanal, star in this erotic film. They waste no time getting down to business and reportedly have horny scenes that border on pornographic.

Dive in to know more…

Betrayal 2 Movie Review

Betrayal at House on the Hill is an immersive co-op adventure game that will keep you hooked. Its deep backstabbing mechanics create a compelling us-and-them dynamic that sets it apart from rival mansion games.

Dutch outfit DFW International has closed a North American sale on Thomas Nauw’s war drama Betrayal. The film stars Wesley Snipes, Lochlyn Munro, and Athena Karkanis.

Betrayal at House on the Hill

Betrayal at House on the Hill is a tile-based tabletop game that offers infinite outcomes. Players take on the role of explorers who are investigating a creepy old mansion. While they work together, they discover rooms, and each room is different from the next. Then, a haunt is triggered, and friends become enemies as they battle through one of 50 possible scenarios.

The game is bursting with B-movie horror, and it’s best played with a group that buys in to the role-playing aspect. It’s easy to learn, but there is a fair amount of luck involved, and some players will end up being traitors. The new 3rd edition is easier to get into and has robust mechanics that keep it fresh. There’s also a Widow’s Walk expansion that adds even more scenarios. This is a game that should be in every collector’s library. It’s a rare specimen where the fun supersedes a lot of flaws.

Betrayal 2

Betrayal 2 is a gripping exploration of the dichotomy between familial love and the allure of wealth. With a Reelgood score of 64, the movie is sure to please fans of crime and drama.

The play features various permutations of betrayal based on Pinter’s clandestine extramarital affair with Joan Bakewell, which lasted for seven years. Using reverse chronology, the play integrates scenes from the end and beginning of the affair. This innovative structure strips away the artifice of the story and shows, heartlessly, that the capacity to love is sometimes based on betraying one’s own family.

In 2007, Roger Michell staged a revival at the Donmar Warehouse theatre starring Toby Stephens as Jerry, Samuel West as Robert, and Dervla Kirwan as Emma. Pinter reportedly lunched with the actors and attended an early “read-through.” The production was designed by Jonathan Farrow, with lighting by Christopher Oram. A 2013 revival at the Ethel Barrymore Theatre starred Daniel Craig as Robert, Rachel Weisz as Emma, and Rafe Spall as Jerry.

Betrayal 3

In this new edition of the popular game, players take on the role of characters in a fictional house, where betrayal can have devastating consequences. The story is driven by choice and consequence, as well as the tensions and rivalries of four different relationships. It examines the dichotomy between familial love and the allure of wealth, and keeps audiences on the edge of their seats with its gripping narrative.

The first season of Betrayal at House on the Hill was a huge hit, and IHeartPodcasts has already announced plans for a second season. It will be available on all major platforms, and the company has a slate of true-crime podcasts planned for release.

In 2007 a revival of the play by Roger Michell was staged at London’s Donmar Warehouse theatre, with Toby Stephens as Jerry, Samuel West as Robert, and Dervla Kirwan as Emma. Pinter himself lunched with the cast and attended an early “readthrough” of the script, giving advice on the use of his famous pauses.

Betrayal 4

When straight-edge cop Exley (Guy Pearce) is ensnared in a web of murder, sex scandal, and lethal corruption, he’s forced to choose whom to trust. Even his own police force turns out to be a cesspool of deceit, with James Cromwell’s Capt. Dudley Smith (whom Jack shoots with his dying breath) being the ultimate traitor.

Pinter’s play is a study in different permutations of betrayal. The plot is structured using reverse chronology, with scenes in two pivotal years, 1977 and 1968, moving back and forth chronologically. This allows the audience to see how each of the characters betrays those closest to them, and ultimately themselves.

In the 1970s Betrayal ran at the National Theatre directed by Peter Hall with Penelope Wilton as Emma, Michael Gambon as Jerry and Daniel Massey as Robert. In 2013 a revival was staged at the Picadero theatre with Paola Krum as Emma and Daniel Hendler as Jerry. The production was adapted for the screen by Roger Michell, who consulted Pinter to provide advice on interpreting the script’s pauses and rhythms.

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An enlightening tour into the fascinating realm of Evolution API

In the dynamic digital space, emerges as a brilliant innovation that has been instrumental in revolutionizing numerous segments, accelerating efficiency, and enriching user experiences. The API (Application Programming Interface) plays a fundamental role in enabling software and applications to interact, amplify functionality, and create superior solutions – all of which are embodied beautifully in the Evolution API.

Unveiling the brilliance of Evolution API

The scientific principle of evolution maintains the gradual development of organisms from a simple to a more complex state over time. Curiously, mirrors this concept by facilitating the evolving improvement of digital platforms. The primary benefit of using this API is the ability to build integrated and efficient software applications. Can you guess what evolutionary edge it gives to programmers?

Evolution API: A game-changer in the digital ecosystem

The fosters unique software solutions by condensing the complexities of numerous tasks into single, streamlined processes. It allows diverse systems to ‘communicate’ innovative and imagine what the outcome could be – engaging user interfaces, lightning speed processes, and seamless integration of disparate systems.

The colossal impact of the Evolution API

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The Betrayal Pinter Film Review

The sly tale of a seven-year extramarital affair involving an art gallery owner and her best friend’s husband plays like a thriller in reverse chronology. Lloyd’s classy production features a superb trio led by Tom Hiddleston and James Cox.

Those famous Pinter pauses brim with subtext as the upper-class cast indulge in their petty grievances. The tidal wave of emotions is played out with tremendous economy.

Robert (Tom Hiddleston)

Tom Hiddleston has been a busy boy since his first appearance on the screen in Joanna Hogg’s 2007 drama Unrelated. He’s starred in a wide range of independent films, working with auteur directors like Jim Jarmusch on The Deep Blue Sea and Guillermo del Toro on Crimson Peak. He’s also worked on the big screen, with starring turns in Steven Spielberg’s War Horse and James Bond film Skyfall.

Pinter explored adultery with a remarkable blend of precision and subtlety in Betrayal, originally staged in 1978 at London’s National Theatre. The play recounts the secret affair between married couple Emma and Jerry, as well as their cuckolded friend Robert. The plot is told in reverse chronological order, with characters lying almost constantly to each other and even themselves.

The key to the play’s success is that all the betrayals are rooted in love. Blythe Danner and Raul Julia both won Tonys for their performances as Emma and Jerry, and the play was adapted for the screen in 1983, directed by David Jones and starring Daniel Craig as Robert, Rachel Weisz as Emma, and Ben Kingsley as Jerry. Hiddleston, who co-starred with Ashton on the Broadway revival of Betrayal, continues to work regularly in film and TV. He’s next set to star in Darren Aronofsky’s psychological thriller Mother and the forthcoming fantasy adaptation of The Awakening.

Emma (Emma Ashton)

Zawedde Emma Ashton is a British actress, playwright and narrator. She has performed in theaters such as the Anna Scher Theatre School, London, England, and the Royal Court. She has also appeared in television shows like Game-On, In Deep, NCS Manhunt, The Bill, Casualty, Coming Up, and Case Histories. She also took part in the musical The Maids and was a narrator for the movie Velvet Buzzsaw.

During his career, she has done over thirty films and a few TV series. She has collaborated with various theatre companies including the Bush Theatre, Clean Break, and The Royal Court. She has also participated in several theater festivals such as the Edinburgh Fringe Festival and the Royal Court’s International Monologues Competition.

In Jamie Lloyd’s eye-popping revival of Harold Pinter’s lean, incisive three-hander Betrayal (which opened September 5 on Broadway), Tom Hiddleston reveals the many facets of his character Robert. He’s capable of great warmth, a dangerous growl, and can shed a vulnerable tear. But he’s also craggily commanding, his presence suggesting that no one who gets caught up in his orbit ever escapes unscathed. He and Ashton, making their Broadway debuts, are matched by Charlie Cox, who plays Jerry, Robert’s longtime friend and best man. Told backward in chronology, the play ruminates on the highs and lows of their tumultuous seven-year relationship.

Jerry (James Cox)

No affair is ever an island built for two. At the least, there’s a third person – the betrayed, usually – and that’s precisely what director Jamie Lloyd focuses on in his savvy Broadway revival of Harold Pinter’s 1978 play, transferring from last spring’s hot-ticket London engagement. This unembellished production – which boasts sharp performances by Tom Hiddleston (Loki in the Marvel franchise), Charlie Cox (Daredevil) and Zawe Ashton (Velvet Buzzsaw) – strips Pinter’s language down to its essence, letting his pauses pulse with unspoken emotion and hidden meaning.

Using reverse chronology, Betrayal follows the significant moments of art gallery owner Emma’s seven-year extramarital relationship with literary agent Jerry. Each sequence reveals new details about their affair as well as the impact of each on their respective marriages. The edgy verbal thrills of the piece are matched by a deep vein of melancholy marbled through all of the drama’s scenes.

While the men ruminate on the highs and lows of their affair, it’s clear that Emma is driving these lives. But it’s also apparent that her own deep hungers are obscured by an ethereal aura that Pinter infuses her with. Lloyd accentuates this, making her seem less visceral and thus less sympathetic. That’s a shame because Ashton is a terrific actress.

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The Thrill of 스포츠중계 (Sports Broadcasting): Live and Unfiltered

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Ben Kingsley and Patricia Hodge in Betrayal

Former rock singer Khrishna Bhanji changed his name to Ben Kingsley and began a stage career with the Royal Shakespeare Company. He went on to star in several film roles, including Gandhi and The Jungle Book.

Betrayal is an adaptation of Harold Pinter’s searing drama about a seven-year affair. It first premiered on Broadway in 1980 and was revived in 2000 with Juliette Binoche, Liev Schreiber and John Slattery.

1. Jeremy Irons

One of England’s most gifted actors, Jeremy Irons was born in Cowes on the Isle of Wight. He has won a Golden Globe, an Emmy and a Tony Award for his work.

In this intelligently filmed version of Pinter’s play, Emma (Patricia Hodge) and Jerry (Irons) meet for lunch after she discovers that her husband Robert is having an affair with his friend, publisher. This complex, chilling drama examines the many facets of long-term relationships through their complicated love triangle.

Jeremy Irons, who was nominated for an Oscar for this film, has been a mainstay in international cinema since the early 1980s. He has starred as Fokine in Nijinsky, a Polish laborer stranded in London in Moonlighting (1982), a courageous missionary in The Mission (UK/France, d. Jerzy Skolimowski, 1986), the hapless star of an amateur light opera company in A Chorus of Disapproval (1989), and as Claus von Bulow in Reversal of Fortune (1990). In the 21st century, he has appeared in films such as Being Julia (2004), Kingdom of Heaven (2005), Appaloosa (2008), Margin Call (2011) and as G.H. Hardy in the Srinivasa Ramanujan biopic The Man Who Knew Infinity (2015) and as Batman v Superman’s Alfred Pennyworth in several films.

2. Ben Kingsley

After a stage career with the Royal Shakespeare Company, British actor Ben Kingsley broke into film in 1972’s Fear Is the Key. His role as Mohandas Gandhi in the 1982 drama movie Gandhi brought him international acclaim and an Academy Award. He followed up with roles in films like Bugsy and Searching for Bobby Fischer, as well as a Jewish accountant in Steven Spielberg’s Schindler’s List.

In addition to film, Kingsley has appeared on Broadway in a number of plays. His credits include the acclaimed play Edmund Kean, for which he received an Olivier Award nomination.

Born Krishna Pandit Bhanji, Kingsley has mixed Indian Gujarati Khoja and Isma’ili Muslim ancestry and British heritage. He was raised in Pendlebury, Lancashire. He was turned down for admission to medical school and opted to study acting instead. He has since been knighted for his services to the arts. He has four children. His wife is Brazilian actress Daniela Barbosa de Carneiro.

3. Patricia Hodge

Patricia Hodge is best known for her work on stage and screen, playing Phyllida Erskine-Brown in the TV series Rumpole of the Bailey and Jemima Shore in Jemima Shore Investigates, as well as Mrs Pumphrey in All Creatures Great and Small. Her elegant, stately presence and cool, intelligent dialogue in Betrayal add a sense of gravitas to the film.

In reverse chronological order, the film follows key moments in a seven-year extramarital affair between art gallery owner Emma and literary agent Jerry. Kingsley and Irons convey the chilling nuances of their love and betrayal with a deft blend of insecurity, sexual power and frustration.

Director David Hugh Jones respects the material, allowing his performers to shine. The result is a riveting drama that manages to be both humorous and disturbing. The chemistry between the two stars is palpable, making this a must-see film for fans of Pinter and discerning theatergoers. Jeremy Irons and Ben Kingsley deliver shattering performances, while Harold Pinter’s literate dialogue and adroit direction make Betrayal an unforgettable experience.

4. Harold Pinter

Pinter was a renowned British playwright, actor, director, poet and screenwriter who wrote twenty-nine plays including such classics as The Birthday Party, The Caretaker and No Man’s Land. He also wrote screenplays for scores of films, several of which were directed by himself or others.

Betrayal was adapted for the screen by Harold Pinter from his 1978 stage play of the same name. The film focuses on the interlocking relationships between a London publisher, his wife and his best friend. It uses nine sequences that move backward in time to reveal significant moments of their seven-year extramarital affair.

Daniel Craig sheds his 007 persona to portray Robert, a successful book publisher, whose wife Emma (Rachel Weisz) is having an affair with Jerry, the husband’s literary agent friend. The movie has been praised by critics. Jeremy Irons and Ben Kingsley also star in this drama. In his later years, Pinter became a leading member of the antiwar movement in Britain.

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